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c. 1445 – May 17, 1510. Italian painter.

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Panini, Giovanni Paolo
The Plaza and Church of St. Maria Maggiore

ID: 19754

Panini, Giovanni Paolo The Plaza and Church of St. Maria Maggiore
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Panini, Giovanni Paolo The Plaza and Church of St. Maria Maggiore


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Panini, Giovanni Paolo

Italian Neoclassical Painter, ca.1691-1765 Italian painter, architect and stage designer. He was a highly prolific and versatile painter, best known for his numerous vedute of Rome, many of which focused on the remnants of the city's Classical past. Ceremonies and festivals often feature in his vedute, which thus constitute a lively documentation of contemporary topography, lifestyle and customs. In contrast to Bernardo Bellotto and Gaspar van Wittel, his treatment is picturesque rather than rigorous; he liked to enliven and animate his views by adding numerous figures. He worked exclusively in Rome and by the end of his career was the head of a thriving workshop that included the Frenchman Hubert Robert (in Rome from 1754) and Panini's son Francesco Panini (b 1738).   Related Paintings of Panini, Giovanni Paolo :. | Ruins with Scene of the Apostle Paul Preaching | Interior of a Picture Gallery with the Collection of Cardinal Gonzaga | Departure of Duc de Choiseul from the Piazza di St. Pietro | Ruins with Scene of the Apostle Paul Preaching | Interior of Saint Peter's, Rome |
Related Artists:
Ali She Nawat
1440-1501
Luis Daguerre
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Alonso Sanchez Coello
Alonso Sachez Coello (1531/32 -August 8, 1588) was a portrait painter of the Spanish Renaissance and one of the pioneers of the great tradition of Spanish portrait painting. Alonso Sachez Coello was born in Benifairode les Valls, near Valencia, and spent his childhood there, until the death of his father when he was around ten years old. He was educated in Portugal at his grandfather's home. Coello's years in Portugal and his family name of Portuguese origin led to a long-standing belief that he was in fact Portuguese. His grandfather (after whom he was named) was in the service of King John III of Portugal who sent the young painter to study with Anthonis Mor (also known as Antonio Moro) in Flanders around 1550. He was under the service of Antoine de Granville, bishop of Arras, learning from Mor. While studying in Flanders, Coello also spent time copying some of Titian's works.






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